A disorienting COVID comedy with plenty on its mind, Stress Positions announces the arrival of filmmaker Theda Hammel as a bold new voice to watch. This is her feature debut both in front of and behind the camera — the director/writer/composer/editor also co-stars alongside comedian John Early — and the result is an intimate New York farce of epic proportions.
Set during the pandemic lockdown in 2020, it follows a group of jaded, white, queer older millennials (and one young Moroccan zoomer) and channels America’s post-9/11 zeitgeist into an uproarious search for authenticity. With repetitive, rapid-fire dialogue reminiscent of screwball comedies, it hammers home its central ideas early on, and with reckless abandon. This leaves a surprising amount of room in its mere 95 minutes for quiet contemplations on identity in the form of old home videos.
It’s as reflective as it is self-reflexive, a fun work of autofiction that, while not strictly autobiographical, captures what it feels like to live during (and be defined …